Margaret Wall-Romana

2007 work >>

San Francisco Chronicle review May 2007 >>

earlier work >>

San Francisco Chronicle review May 2004 (scroll halfway down page to read review)

artist's resume>>

Margaret Wall-Romana, who has moved from the Bay Area to Minneapolis since her last show with us, deploys her signature visual syntax of flora and fauna in various states of life and decomposition, to reflect on personal shifts in time and location. Her hybrid compositions have opened up to Midwest skies and the subtle palette of winter light. Margaret combines her interests in abstraction and the painterly surface with her love of Mannerist pictorial space and the inventive landscapes of Northern painters such as Patinir and Bruegel.

The large paintings are diptychs and triptychs, the latter cruciform. Each painting evolves through a process of accretion. Both thick drips and thin veils of paint produce a layered color field that stretches toward landscape form. But the paintings resist the closure of landscape and hover at the brink between picture plane and illusionistic space. Paint, lines, depicted objects, and compositional movements encounter and transform each other, allowing for a new composite spatiality to emerge.

Viewing these paintings is an experience meant to unfold gradually, as these vignettes of space stitched together reveal their connections. The initial perception of the picture as a whole becomes pleasurably unstable through improbable juxtapositions, scale shifts, and incongruous combinations. The act of viewing cycles back and forth between detail and overall structure, flatness and depth, figurative description and open-ended evocation.

Margaret will be showing seven new large-scale oil paintings in this remarkably original body of work plumbing the spaces of perception and imagination.



 

 

Bucheon Gallery 389 Grove St. San Francisco CA
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