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Margaret Wall-Romana
2007
work >>
San
Francisco Chronicle review May 2007 >>
earlier
work >>
San
Francisco Chronicle review May 2004 (scroll halfway down
page to read review)
artist's resume>>
Margaret Wall-Romana, who has moved from the Bay Area to Minneapolis
since her last show with us, deploys her signature visual syntax
of flora and fauna in various states of life and decomposition,
to reflect on personal shifts in time and location. Her hybrid
compositions have opened up to Midwest skies and the subtle palette
of winter light. Margaret combines her interests in abstraction
and the painterly surface with her love of Mannerist pictorial
space and the inventive landscapes of Northern painters such as
Patinir and Bruegel.
The large paintings are diptychs and triptychs, the latter cruciform.
Each painting evolves through a process of accretion. Both thick
drips and thin veils of paint produce a layered color field that
stretches toward landscape form. But the paintings resist the closure
of landscape and hover at the brink between picture plane and illusionistic
space. Paint, lines, depicted objects, and compositional movements
encounter and transform each other, allowing for a new composite
spatiality to emerge.
Viewing these paintings is an experience meant to unfold gradually,
as these vignettes of space stitched together reveal their connections.
The initial perception of the picture as a whole becomes pleasurably
unstable through improbable juxtapositions, scale shifts, and incongruous
combinations. The act of viewing cycles back and forth between
detail and overall structure, flatness and depth, figurative description
and open-ended evocation.
Margaret will be showing seven new large-scale oil paintings
in this remarkably original body of work plumbing the spaces of
perception and imagination.
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